Assuming you're like a lot of people and already own the latest, cleanest retail-release pressings of every Pink Floyd record you'd ever want, Oh, By the Way will serve no purpose outside of a fan-pleasing visual novelty it practically exists to be looked at instead of listened to. There is no rarities disc, no concert material (aside from the live half of Ummagumma), no previously unreleased work, no interviews, no DVDs, no 5.1 audio, no historical liner notes and- most significantly- no remasters save the one you can already get on the recently-released standalone 40th Anniversary Edition of Piper. It's also one of the most superfluous pieces of collectors'-market eBay-bait I've ever heard of. He plays a diabolical game with the two friends, one that crosses the boundaries into the metaphysical realm. Yet gradually the atmosphere changes and tension steadily rises in the car, thanks to Toofan, who keeps appearing again and again out of the blue. But what happens if a policeman suddenly gets into your vehicle, finds black market DVDs and forces you to admit, tipsily, that Argo is a film hostile to Iran? This road movie through Tehran by night begins as a hyperactive, drugged-up farce that pokes fun at the authorities, interprets the cultural history of Western toilets, and postulates other daring intercultural theories. They move through the public sphere, yet their occupants remain among themselves. Cars form a popular setting in Iranian cinema. This won't be the last time they'll cross his path over the course of the night. A mysterious stranger by the name of Toofan offers to cover the costs. On their way back from a wild party, Arineh and Nobahar cause a car accident.
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